In the realm of holiday cinema, where the options often lean towards the predictable and the formulaic, the 1985 film 'Clue' emerges as a delightful anomaly. This movie, an adaptation of the beloved board game, brings a breath of fresh air to the genre, offering a unique blend of comedy and mystery that still resonates today. While it may not have been a box-office sensation upon its initial release, 'Clue' has since cultivated a dedicated cult following, proving that sometimes, a little bit of silliness can go a long way.
What makes 'Clue' particularly intriguing is its attempt to capture the essence of the board game on the big screen. The film's setting, a dank New England mansion circa 1954, provides the perfect backdrop for a whodunit tale. The guest list, filled with colorful characters like Mrs. Peacock, Prof. Plum, and Col. Mustard, adds to the fun, each bringing their own brand of eccentricities to the table. The story, with its multiple endings, encourages repeat viewings, a strategy that, in my opinion, was ahead of its time.
One of the most fascinating aspects of 'Clue' is its attempt to balance the absurd with the eerie. The film's director, Jonathan Lynn, manages to infuse the story with a frantic energy, creating a live-action cartoon-like atmosphere. The sight gags and witty bon mots fly thick and fast, making for a hilarious and engaging experience. However, what many people don't realize is that this balance is not easy to achieve. Lynn's direction, while energetic, sometimes resorts to Three Stooges-style punishment humor, which, in my view, can be a bit overbearing. The cinematography, too, plays a role in this unevenness, with flat visuals that fail to enhance the inherently eerie atmosphere.
The cast of 'Clue' is a standout feature, with each actor bringing their unique brand of expertise to the table. Eileen Brennan as Mrs. Peacock delivers a hysterical performance, while Tim Curry as the butler adds a delightful music-hall verve. Lesley Ann Warren as Miss Scarlet sizzles on screen, and Martin Mull as Col. Mustard brings his usual deadpan humor. However, what stands out to me is the underutilization of some of the supporting cast. Christopher Lloyd and Michael McKean, for instance, are given limited roles, which is a shame given their comedic prowess. Colleen Camp, on the other hand, shines as an alluring French maid, though her role often requires her to play second fiddle to her own enhanced bosom.
The production design and score also deserve a special mention. John Lloyd's sets, dripping with mock-Victorian splendor, add a layer of gothic charm to the film. John Morris's score, delightfully tongue-in-cheek, complements the visuals perfectly. Michael Kaplan's costume design is another highlight, with ingeniously conceived, character-suited apparel that scores as many laughs as the script itself. The editing, too, deserves recognition, with David Bretherton and Richard Haines maintaining a breakneck pace that keeps the hits outrunning the misses.
In conclusion, 'Clue' is a delightful holiday film that, despite its flaws, still manages to deliver the goods. It's a testament to the power of a well-cast ensemble and a clever script. While it may not be Agatha Christie, it sure beats a film version of Trivial Pursuit. Personally, I think 'Clue' is a hidden gem that deserves a place in the holiday movie canon. It's a reminder that sometimes, a little bit of silliness can go a long way in making us laugh and keeping us entertained.
